Alternate a short set and a long pass: set the ball into a third player's path, and play the long ball first time from the set into the next player's feet.
Mark a triangle of three cones 15 metres a side. One player stands just behind each cone and the fourth is the runner, jogging up the outside of a side towards the player on the ball. The player on a cone receives the long ball just outside his cone and sets it short, about four metres back down the outside of the side, into the runner's path. The runner plays it first time long across the triangle to the player on the third cone, then takes over the cone the set came from. The setter goes round the outside of his own cone and jogs up the next side to become the next runner, ready for the next set. Set, long, set, long, all the way round.
Changing the length of the pass is the whole point here. A short set, then a long ball, then a short set again: the rhythm of a team that plays into a midfielder so a third player can switch it.
The ball goes from the long passer to the player on a cone, from him to a runner, and from the runner long across the triangle. The runner is the third man. He was never part of the first pass, so his job is to arrive at exactly the right moment, coming up the outside of the side so the set meets him in stride and he can strike it first time.
The player on the cone sets the tempo. He meets the long ball just outside his cone, not behind it, and his set goes about four metres back down the side into the runner's path. Too short and the runner has to check, too long and he has to chase it. A good set is soft enough to control the pace and firm enough that the long ball can be hit straight off it.
Four players on three cones means one is always moving. The runner takes over the cone the set came from, and the setter goes round the outside of his own cone and up the next side to be the next runner. Nobody stands for more than a couple of passes, so the drill is a steady physical load as well as a passing one. Reverse it after a few minutes so the set and the long ball come off the other foot.
Save it to your private drills, then change the animation, adjust positions, swap equipment, or drop it into a session block. Or start from a blank pitch and build your own.